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QUAALUDES, HOOKERS, AND PENNY STOCKS: 'The Wolf Of Wall Street' Is Epic

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leonardo dicaprio wolf of wall street

"The Wolf of Wall Street" is going to be a monstrous hit. 

It is the kind of movie that will inspire (mostly) men of a certain age (I am guessing 15 to 55) to memorize scenes and forever trade their favorite lines over and over. I won't give any of them away. But this movie will enter the pantheon of Martin Scorsese classics like "Goodfellas" and "The Departed."

I was lucky enough to see a screening at the Director's Guild Theater on 57th Street on Thursday night. This is not a movie review.

Just an early heads-up that this movie is epic. And it will be huge. 

Leonardo DiCaprio compares "The Wolf of Wall Street" to a "modern-day Caligula"in an interview with The Hollywood Reporter. And he's not far off. There's gratuitous t&a. So much so that my wife Natasha asked me why there were so many orgy scenes. I didn't have a good answer. There's so much nudity and sex that I was surprised to learn that the film had EVEN MORE in an earlier version  but additional sex scenes were cut to avoid an NC-17 rating. So prepare yourself for flesh.

Then there are the drugs.

From Quaaludes to cocaine, crack and booze  the drug scenes are exquisitely staged. Drug use fuels the whole movie, especially 'ludes. DiCaprio's Jordan Belfort character (the movie is based on Belfort's memoir of the same name) seems to thrive on 'ludes  a tranquilizer that you'd be hard-pressed to find in the U.S. today. But the drugs act as a fuse for all of the Wall Street selling that Belfort oversees at his firm in the late 1980s and early '90s.

The movie is also incredibly long. I am going to guess that the cut we saw was almost 3 hours. 

There's more to this movie though than sex, drugs and 165 minutes.

DiCaprio revels in his role as Belfort  a cult-like figure who inspires his sales team to unload crappy penny stocks to unwitting buyers. There's a scene at a country club that will forever be associated with the Great Actor Leo. He is so convincing that the audience last night didn't know whether to laugh. I couldn't. But many people did. 

And Jonah Hill  in the role of Belfort's business partner — plays it straight, to a point, and is memorable as soon as he comes on screen. He kills it in his second, third, and fourth scenes too. 

Surprisingly, it's less a movie about Wall Street and more about salesmen, posing as brokers. (And I mean men. Hundreds of them. Women are few and far between unless they're naked.) They happen to be selling penny stocks, but might as well be selling fake real estate plots. Or encyclopedias. They are selling. Period. Because people want to buy. 

Scorsese focuses hard on all the big-time sins: greed, gluttony, lust, envy and pride. Add it all up and it makes it hard to look away.

Wall Street will be pleased.

The film will be released on Christmas Day. (You should all go see it.)

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Leonardo DiCaprio Has Created An Electric Car Racing Team

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leonardo dicaprio formula e racing

Leonardo DiCaprio is getting into the electric car racing game.

He and Venturi Automobiles have co-founded a team that will compete in all-electric Formula E Championship, Venturi announced today.

As its name suggests, Formula E is an electricity-powered spinoff of Formula One racing. Both are run by the Fédération International de l'Automobile (FIA).

Venturi is a French-founded automaker, based in Monaco, that has focused on building electric vehicles since it was purchased by millionaire Gildo Pastor in 2001.

The first Formula E season is scheduled for 2014-15, with races scheduled in Beijing, Los Angeles, and London.

There will be ten teams with two drivers each. Venturi Grand Prix, based in Monaco, should be the tenth.

This isn't the first time DiCaprio has dipped his toe into the auto industry. He was an equity investor in Fisker Automotive and the first customer to receive the plug-in hybrid electric Karma.

Fisker never took off, and finally filed for bankruptcy in November.

SEE ALSO: We'll Have A Flying Car In 3 Years, But It Won't Be Out Of 'The Jetsons'

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The Penthouse From The 'Wolf Of Wall Street' Movie Is For Sale For $6.5 Million

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Wolf Of Wall penthouse

The Midtown Manhattan penthouse Leonardo DiCaprio's character Jordan Belfort used in the upcoming film "The Wolf Of Wall Street" is on the market, New York Daily News reported. 

The Penthouse B at the Milan Condominium at 300 East 55th is for sale for $6.495 million.

"Million Dollar Listing" star/Nestseekers broker Ryan Serhant has the listing, the NYDN report said.  

The apartment is the location of the infamous scene where Belfort's crew beat up the butler and dangled him over the balcony threatening to drop him.  

The Penthouse is located on the 32nd floor of the Milan Condominium in Midtown East. It offers stunning views of the East River.



This is where Belfort's crew beat up the butler, Patrick, after Belfort's mistress Nadine caught him having a gay orgy in the apartment. 'Victor threw the first punch and Patrick's face exploded into raw hamburger meat...,' Belfort wrote in his memoir.

The Wolf Of Wall Street 



After it was revealed that Patrick took $50,000 from Belfort's sock drawer, Victor Wang hung him over the ledge of the balcony and threatened to drop him.

The Wolf Of Wall Street 



See the rest of the story at Business Insider

There's A Free Screening Of 'The Wolf Of Wall Street' Near Goldman Sachs Tomorrow Night

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There's a free screening of "The Wolf Of Wall Street" on Wednesday night at 6 p.m. EST in Battery Park City. 

You can RSVP to watch the film at TheWolfOfWallStreet.com [via Bloomberg TV].

It will be playing at the Regal Battery Park City, which is located behind Goldman Sachs' offices at 200 West Street. 

"The Wolf Of Wall Street" is the movie adaptation of Jordan Belfort's tell-all memoir from his days of running a boiler room in the 90s.  The movie stars Leonardo DiCaprio, Matthew McConaughey and Jonah Hill and it's directed by Martin Scorsese.   

It debuts in theaters on Christmas Day. 

Watch the trailer here: 

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What It Was Like At Last Night's 'Wolf of Wall Street' Premiere

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wolf of wall street after party

Last night Martin Scorsese's 'Wolf of Wall Street' came home, and premiered at the Ziegfeld Theater in New York City.

I went.

Let me premise this review by saying that I don't go to these things — these Hollywood glitterati everyone-hold-your-breath-there's-Leo things. These suck-it-in-you're-on-the-red-carpet-now-smile things.

But I had a killer, killer time. It wasn't hard. The crowd was positive, the movie — the story of a crooked Wall Streeter and his opulent rise and ugly fall — had chops (though I'll get to my qualms in a moment), and the after party was fun.

The movie started early, at 6:00 pm. This may have something to do with the fact that it is about three hours long (a problem). I had one drink before the film started rolling. I wish I'd had two, as I skipped the red carpet anyway.

And I recommend that all civilians (non-film) people do this. In skipping the red carpet I skipped the squealing, flashing, and crowding that more resembles Times Square traffic than an actual celebration. Plus, you get a good spot to watch people walk in and out of the theater. Those are the money sightings. Remember that.

Now for the movie. The Wolf of Wall Street is the story of Jordan Belfort, a Queens kid turned penny stock hustler who made a fortune on Long Island in the 80s and 90s. The way Scorsese tells it, Belfort's firm, Stratton-Oakmont, was basically a non-stop orgy of greed, drugs, money and sex. Belfort's personal life was like that too.

The first hour or so of the movie was hilarious. This was Belfort's rise — his introduction to Wall Street and his A-Ha moment. The moment he realizes he can teach any idiots to sell stocks to idiots. The idiots he finds to do the selling are pitch perfect, especially Donnie Azoff (played by Jonah Hill in a perfect pair of prosthetic teeth).

Some coke, crack and a ton of Quaaludes later Belfort is rich beyond belief and married to his second wife, a bombshell named Naomi, played by Margot Robbie. Both Robbie and Hill team up to steal the show from DiCaprio. He was good, yes. But they were better.

If I had driven to the North Shore of Long Island directly after the movie and cut off a Escalade on the highway, it could easily have been Robbie and Hill flipping me off from the front seat as they drove away. That's how spot on they were.

Plus, Bo Deedle played a private investigator in the movie, Fran Lebowitz had a cameo, and the soundtrack was full of 90s dance party tunes that had me thinking about MTV Jamz and In Living Color re-runs.

There were some issues though. Belfort's real victims, the investors who lost money, were nowhere to be found. That made it harder to see how he was more than a degenerate, he was a criminal. He lied to people and took their money. That shouldn't be forgotten.

Additionally, the movie was too long. I won't mention where I started to fidget in my seat — I've already said much too much — but (and I never thought I'd type this) maybe there was too much yachting.

None of this, obviously, is what makes a premiere special, though. Anyone can see the movie in the theater. What's cool about the premiere is that a guy behind me whispered "hey, that's my pillow," during one of the scenes in Belfort's living room. The people that made the movie were there. They finally got to celebrate the furniture they donated, the money they spent, the actors they dressed — what have you. That's what makes a premiere cool. You get to pretend you're part of the family.

And after-parties. Those make it cool too. The Wolf Of Wall Street after-party was at the Roseland Ballroom in NYC. It's a venue that sees more "18-and-over" concerts than Hollywood blow-outs, but it looked great.

The party was a mix of freezing girls in cocktail dresses dresses, New York City social royalty, film industry folk, and of course, the stars.

Leonard DiCaprio wolf of wall street premiereLeonardo DiCaprio and Martin Scorsese were there sitting at a table near the DJ. I didn't get close because they were mobbed, and it seemed like a lot of work. Like, real "cut through body guards, avoid the girl having a silent melt-down and don't spill your drink" work.

The key to the after-party is not to spend your time stalking people, but to find a bar and post up. Everyone needs a drink, and in doing that you'll watch a lot of key people go by, like Kevin Connolly from Entourage (I've always had a soft spot for E, don't judge me).

More importantly, try to go with an industry person who actually knows the people that made the event happen — the planners, the media connectors, the sponsor finders. They are the silent force that moves this entire show along.

The night in general was about that force. At a premiere, the movie is the icing, the celebration is the cake.

Let them eat cake.

SEE ALSO: Photos From Last Night's 'Wolf Of Wall Street' Premiere

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Photos From Inside Last Night's Premiere Of 'The Wolf Of Wall Street'

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Wolf Of Wall

Last night was the New York City premiere of the highly-anticipated film, "The Wolf Of Wall Street." 

The movie is an adaptation of Jordan Belfort's best-selling tell-all memoir that chronicles his boozy, drug-fueled hard-partying lifestyle as a Wall Street hustler running a 90s-era boiler room. 

The film stars Leonardo DiCaprio, Margot Robbie Matthew McConaughey and Jonah Hill. It's directed by Martin Scorsese. 

Business Insider's Linette Lopez got to see it last night and has a review of the film.

We've also included photos from the red carpet in the slides that follow. 

The highly coveted tickets for last night's NYC premiere and after party.



The 'red' carpet...



The NYC premiere was at the Ziegfeld Theater in Midtown Manhattan.



See the rest of the story at Business Insider

Check Out These 1990s Home Videos From The Real 'Wolf Of Wall Street'

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Jordan Belfort

CNN's senior investigative producer Scott Zamost uncovered some home videos of the real life "Wolf Of Wall Street" during his hard partying days. 

Jordan Belfort (a.k.a. "The Wolf") is the author of a tell-all memoir chronicling his boozy, drug fueled high-flying Wall Street lifestyle running a 90s-era boiler room Stratton Oakmont. 

The book has been adapted into a movie directed by Martin Scorsese and starring Leonardo DiCaprio. It debuts on Christmas Day.  You can check out a review here from Business Insider's Linette Lopez

In the meantime, CNN's Zamost has a bunch of video clips of the real Belfort partying it up in the Hamptons and on his yacht.  Belfort called it "Adult Disney Land for dysfunctional people." 

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Leonardo DiCaprio Co-Starred With A Chimpanzee In 'Wolf Of Wall Street' And Now 40,000 People Are Furious

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Leo Dicaprio Chimp Leonardo DiCaprio‘s latest film is called The Wolf Of Wall Street, but it’s a chimpanzee that’s making headlines after the actor consented to scenes with a trained primate.

Animal rights organization PETA slammed the star last week for allegedly perpetuating animal cruelty, and revealed today that more than 40,000 fans have signed a petition taking DiCaprio to task for his actions.

DiCaprio acted with the ape, named Chance, in a scene that shows a raucous party in his characters stock brokerage.

PHOTOS: Leonardo Dicaprio Kisses Cristin Milioti On Set Of The Wolf of Wall Street In New York City

“Someone as committed to environmental concerns as Leonardo DiCaprio should know better than to support well-documented cruelty involved in using great apes for entertainment,” PETA primatologist Julia Galluci said in a statement.

“PETA hopes that the next time Leo receives a script with an ape ‘actor’ in it, he’ll remember that these sensitive animals are stolen from their mothers at birth and subjected to physical abuse, and he’ll demand a rewrite.”

In particular, PETA claims, the young chimpanzee filmed for the flick was provided by the Rosaire family, “which is notorious for operating a traveling circus that forces chimpanzees to perform cruel and unnatural acts.” 

According to PETA, the Rosaires have been cited by the USDA for violations of the Animal Welfare Act. In addition, a whistleblower allegedly told PETA, the on-set monitor assigned to the film by the scandal-ridden American Humane Society had no experience with primates.

PHOTOS: Naked Do-Gooders: Ladies Who’ve Stripped Down For A Cause

With that information in mind, PETA’s petition begs DiCaprio, “Please pledge never to work with great apes again!

The petition currently has more than 40,000 signatures. DiCaprio has yet to comment.

SEE ALSO: We Saw 'Wolf Of Wall Street' With A Bunch Of Wall Street Dudes And It Was Disturbing

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3 Things That Completely Undermine 'The Wolf Of Wall Street'

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jonah hill leonardo dicaprio wolf of wall streetMartin Scorsese tries to have it both ways with The Wolf of Wall Street.

It's a movie that both glorifies and condemns its subject: Jordan Belfort, a real-life stock broker who led a band of young wannabes on a drug-fueled raid of the richest one percent in the mid-'90s.

After Scorsese gives the audience more than two hours of endless sex and partying, the bottom finally drops out from under Belfort in the third act. The moralizing that comes next is nowhere near as memorable or as heartfelt as the good times that came before.

Whether Wolf's ultimate greed-is-bad message is lost in the din of Scorsese's raucous portrayal of Wall Street's pre-tech bubble halcyon days is up for debate.

Unfortunately, though, a few of the asterisks attached to this film serve to undermine that message.

1. Jordan Belfort's Real Life

Jordan Belfort committed all manner of fraud as he swindled his way to the rarified air of the obscenely rich in the '90s. This is a guy who, based on his own autobiography, probably deserved all 30 years he says he had coming to him.

But instead he served 22 months, got out, and has since made himself rich again by writing about the experience, and promising to help people get rich quick. His two books, The Wolf of Wall Street and Catching the Wolf of Wall Street serve less as confessions and more as advertising for his $2,000 home "persuasiveness" course, and his "2014 World Tour." 

Scorsese's movie, in fact, is the best advertising he's ever had. Based on Belfort's experiences, the downside to white collar crime doesn't seem to compare, AT ALL!, to the upside.

I'm not even going to get into how tone deaf this seems in the wake of the 2008 financial crisis, which was brought on by A-holes just like Jordan Belfort.

Instead, let's just look at his latest profile in New York magazine, published in November, which opens by describing a scene where a groupie asks for his autograph. Justice is a thing this guy has never really experienced.

2. Jordan Belfort's Cameo in the Movie

So not only is he profiting from his misdeeds. He gets to be in the movie, too?! If Scorsese really cared about the message his film is sending, he would have never given Belfort a cameo. It's a tacit endorsement of the guy's hollow, destructive greed — an over-the-shoulder wink at a naughty boy whose Uncle Marty is impressed by his chutzpah.

3. The Glorification of ScarfaceWall StreetGoodfellas, etc.

The guy who made Goodfellas and Casino should know a thing or two about being misinterpreted. 

The Wolf of Wall Street plays an awful lot like the ungodly love child of Scarfaceand Wall Street, two movies so popularly misconstrued that they've enjoyed very long extended lives thanks to the 14-to-30-year-old boys who continue to worship at the alters of Tony Montana and Gordon Gekko.

Even Jonah Hill has pointed out in several interviews leading up to Wolf's release how he would have misinterpreted the movie as a teenager. Scorsese had to have known, while making Wolf, who the movie's real fanbase would be — not the thoughtful and mature, who will slap their heads and say, "Wow, those guys were awful," but the naive and reckless who will treat the movie as an epiphany and a road map.

All that said, The Wolf of Wall Street is a very good movie — one of the year's best. That its message is complicated by real life is all the more reason for people to see it and make their own decisions. It would just be nice if the movie's villain (please don't call him an anti-hero) wasn't profiting from it.

SEE ALSO: We Saw 'Wolf Of Wall Street' With A Bunch Of Wall Street Dudes And It Was Disturbing

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Jonah Hill Called Best Buy To Practice His 'Wolf Of Wall Street' Part

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wolf of wall street jonah hill

Does Jonah Hill take himself too seriously?

That seems to be the theme of most conversations when you bring up the actor who first made us crack up as sex-crazed clown Seth in Superbad.

During James Franco’s record-setting roast on Comedy Central it was the go-to stab. In his interview for Rolling Stone's cover story earlier this year, it seemed to be the prevailing take away for many readers.

Perhaps it’s true. Or perhaps there's just that inevitable skepticism that greets comedic actors who attempt to portray a character of any depth. Hill's backed up his transition into serious film roles, though.

His portrayal of Peter Brand in Brad Pitt’s Moneyball landed him an Oscar nomination and this week, he returns as Donnie Azoff in The Wolf of Wall Street, another role that has people buzzing. 

Rolling Stone spoke with Hill about why he needed Best Buy to help him with his Wolf part, fighting on set with Leonardo DiCaprio and what to expect from 22 Jump Street.

See Where 'Wolf of Wall Street' Ranked on Peter Travers' Top 10 Movies of 2013

You’ve had a pretty diverse couple of years. How are you feeling about the movies that you’re doing right now?

These last few years have been awesome. It’s incredibly surreal. When I heard that this project existed, I heard that I was on a list to play this part with a bunch of actors who I respected and who I had every belief would get the part before me.

I love getting to do different kinds of pictures and what Moneyball and an Academy Award nomination did bring me was an opportunity to be in a conversation with these people. To be very frank, an Oscar nomination for the most part made me a person that exists in the world of Martin Scorsese. Which I’m incredibly grateful for.

How well did you know The Wolf of Wall Street material?

I read the book a few times actually. I read the script many times.

Then Leo and I spent a lot of time with the real Jordan Belfort. He was unbelievable helpful and he was actually available to us pretty much at all times. We could text him, give him a call or go to dinner with him in the city. He was just a well of information and history on the subject.

It’s my favorite way to work and in Moneyball I was working in a similar situation where I got to talk to Billy Beane and Paul DePodesta. It’s really invaluable in these kinds of pictures with real life characters in place.

Your character Donnie Azoff has some ridiculous teeth in this movie. Was it hard to get used to those?

It was written into the script that I had crazy veneers that I wore. When I put them in for the first time I had this serious lisp; it was to the point where it was hard to hear me so I figured I needed to practice.

None of my friends would stay on the phone and talk to me, so what I would do is call random Best Buy locations and ask for customer service and just chat with strangers. People hung up on me pretty quick but it did work after a number of those. I got rid of the lisp.

There are a couple moments that are very physical between you and Leo. Did you worry about injuries?

We have a fight scene where we’re on Quaaludes and it’s really physical. We were all deep in character and tried to make it feel real. I think Leo got so into it he forgot his own strength and essentially I got beat up. For real. So I got hurt, but it looks awesome on screen.

Do you think you'll work with Scorsese again?

Every project I do is about collaboration. No man is an island and nobody builds anything by themselves. When I’m doing a film, I’m looking for people that I connect with and when we’re able to create together I want to keep those people around. It makes things familiar and the best work comes out of it as well.

Do you have any projects lined up next?

I have no idea right now. I will tell you this. I’m not going to do anything that I’m not incredibly passionate about.

Is that something that you decided recently?

It’s a lesson that took me some time to learn. There were movies that I "had to do" that I "couldn’t not do." When you’re a young actor you have this constant fear that there will be no work. I would say yes to anything and everything, whether or not I was passionate about it.

Now, for my own benefit, and for the people who want to come see my work, I owe it to them to do roles that I am personally moved by.

You just wrapped 22 Jump Street. How was it getting that crew back together?

It was great. I had just got off of doing two really serious and heavy films in a row, this movie and True Story with James Franco. Getting back on that set with Channing [Tatum] was just cathartic and fun. We let loose and had a blast.

What can we expect from this one?

It’s got the same feel as the last movie. It’s just pure entertainment. We just have a really, really good time. I’m not sure how to explain our friendship. We’re combustible together. Like gasoline and a match.

SEE ALSO: The 'Wolf Of Wall Street' Was An Amazing Movie With An Important Moral Message

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'The Wolf Of Wall Street' Was An Amazing Movie With An Important Moral Message

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leonardo dicaprio wolf of wall street

I saw "The Wolf Of Wall Street" yesterday. I don't know how to write a proper movie review, so I'll just say a few quick things.

The first is that it was an incredibly entertaining Martin Scorsese classic. The story is funny, dirty (tons of sex and drugs), and the directing is top notch (it's Scorsese so the soundtrack is great throughout). It's just really enjoyable. It was three hours long and I never got bored.

There's been some whines about how the film glorified Jordan Belfort (who made a fortune starting his own boiler room, pump-and-dump brokerage) and didn't focus on any of the victims. And there's truth to that. But that doesn't mean it was an amoral movie.

In fact it had a pretty fascinating message, which was: The American Dream isn't about becoming middle class and having your kids go to college, it's about becoming ridiculously rich. But the institutions that allow people to become ridiculously rich (Wall Street banks, etc.) aren't open to people with the wrong background and without the correct connections and breeding. So in light of that contradiction, the only way for normals to achieve the American dream is to find something that's in a grey area of the law.

Thus the story depicts how Jordan Belfort took a group of losers from Long Island and turned them into sales geniuses that could sell stocks like crazy (many of them penny stocks or scammy IPOs or other schemes). 

The movie features several scenes where Belfort delivers powerful, motivational speeches to the brokers at Stratton Oakmont (his brokerage) and to some they may recall the famous speech of Gordon Gekko in "Wall Street." But they're actually more similar to Tom Cruise's character in "Magnolia," who gives workshops to losers purporting to teach them how to be as successful as he is with women (even though they all lack his charisma and good looks).

It makes for an inherently interesting theme of how people who lack resources (connections, education, social graces, good looks etc.) can achieve wild success.

SEE ALSO: Watching Wolf Of Wall Street with a bunch of Wall Streeters was disturbing

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HOUSE OF THE DAY: Leonardo DiCaprio Finally Sells His Malibu Beach Pad For $17.35 Million

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leonardo dicaprio beach house

More than a year after he listed his Malibu beach pad for $23 million, Leonardo DiCaprio has sold the property for $17.35 million, significantly under the initial asking price, according to Zillow.

He had also attempted to rent out the beachfront home, seeking $150,000 a month for a lease shorter than six months and $75,000 a month for longer leases, real estate website Trulia reported at the time.

This is one of two homes the "Wolf of Wall Street" actor owned in Malibu. He bought it in 2002, paying $6 million.

The house is on prime Malibu real estate.



With amazing beach access.



And an awesome beachfront deck.



See the rest of the story at Business Insider

3 Reasons Why Audiences Hate 'The Wolf Of Wall Street'

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wolf of wall street

Martin Scorsese unleashed his latest, The Wolf of Wall Street, on unsuspecting audience members Christmas Day.

It turned out to be an unusual film with which to commemorate the birth of baby Jesus.

Sex, drugs, sex, violence, butt candles, sex, midgets, sex and more sex crammed each frame of Scorsese’s depiction of financial corruption and excess. Critics fawned.

The debauchery-laden drama has a healthy 77% Fresh on Rotten Tomatoes, with our own Eric saying that the movie is DiCaprio and Scorsese’s best collaboration yet.

Audiences don’t seem to agree, however. Though the movie got off to a fast start, earning north of $9 million on Christmas Day, those lured to the cinemas by the promise of DiCaprio and Scorsese bombarding Wall Street are leaving disappointed.

CinemaScore polls moviegoers as they exit theaters, calculating "a distinctive CinemaScore grade" that gives the industry a ballpark reaction.

"Wolf," so far, has earned a C. That sounds average. On CinemaScore, it isn’t. It’s terrible. Audience rarely trash a movie to the CinemaScore pollsters.

Currently, "Wolf" has the lowest grade, behind such movies as "47 Ronin" (B+), "Walking With Dinosaurs" (B), "Homefront" (B), and "Jackass: Bad Grandpa" (B). Yes, "Bad Grandpa."

I can’t say I’m surprised. In fact, I tend to agree with the general consensus on this point. But critics created such a stir on Twitter about the disconnect between movie and audience that we thought it required further analysis. (Read CinemaScore pollster Kenny Miles’ feed for some of the general, hateful reaction.)

There has to be a reason why a movie trumpeted by critics is failing to connect with mainstream America. Here are the three that jump to mind.

1. Scorsese’s Ode To Excess Is Too Excessive

"Wolf" has no interest in moderation. The point of Scorsese’s movie (I believe) is that power corrupts those who lack a moral compass.

And it’s entertaining, in a depraved sort of way, to see financial wunderkind Jordan Belfort (DiCaprio) abuse his fortunes, paying for competitive dwarf tossing in his Wall Street office, dropping untold fortunes on drugs and women, and narrating every step of his own personal orgy.

That high lasts, in my own opinion, for about an hour. Scorsese needed to shift focus away from Jordan after establishing what an asshole this character is if he hoped to keep audiences invested in this slog through sleaze.

Instead, "Wolf" gives us two additional hours in the presence of this douchebag.

By the midpoint of "Wolf," I’d had more than enough. The experience is exhausting in the way it shovels Jordan’s excessive abuses.

There’s a two-hour cut of "Wolf "begging to emerge, if Scorsese had more time and wasn’t racing to reach an end-of-year deadline for awards consideration.

2. Christmas Was the Wrong Date

Not that Hollywood hasn’t released counter programming on the most joyous holiday of the year.

Just last season, audiences were invited to Tom Hooper’s "Les Miserables," a depressing musical march through several individual hardships that at least had the backing of a famous stage show in its corner.

I’m guessing that audiences looking for something different this Christmas season were shocked (and possibly appalled) by the gratuitous nature of Scorsese’s latest. It recently caught an Academy member by surprise.

Personally, I was prepared for extreme levels of debauchery in "Wolf," and was still taken aback by the amount of profanity in the director’s theatrical cut. Not that I’m a prude. Sex, violence, drug use and debauchery have a place when they are helping to make a point in a movie.

I’m not sure Scorsese’s "Wolf" has anything to say about the empty suits on the Wall Street circuit … at least, nothing we haven’t heard before, especially in earlier Scorsese films about men who are obsessed with (and ultimately corrupted by) power.

Guy Lodge says it best on InContention: "I wasn't left with much when the circus was over: its moral stance, such as it is, is laid out early on, leaving us jogging furiously in place for three hours." Audiences tended to agree.

jonah hill the wolf of wall streetTo be honest, I'm not sure WHEN Paramount should have dropped "Wolf" into theaters. Perhaps in October, when controversial Oscar fare seeks approval (though Scorsese's opus wasn't ready, so NEXT October would have been the option). It's merely possible that Christmas was an odd time to unleash a sex-and-drug-fueled extravaganza.

3. It Was Marketed Incorrectly

This doesn’t necessarily put the blame on Paramount, which had a new Martin Scorsese/Leonardo DiCaprio collaboration on its plate and knew a certain audience would turn up, no matter the content.

Watch that trailer, though. It paints "Wolf" as "Goodfellas." A couple of colorful characters pull themselves up by their bootstraps (illegally, mind you), but pay the price when the FBI catches on to their schemes. That’s only a small sliver of "Wolf," as anyone who has seen it knows, and the debauchery is barely hinted at in the film’s full trailer.

Now, buyer beware, right? It’s up to an individual to read up on a movie, to see what they are in store for. And there have been plenty of in-depth think pieces analyzing the filth and depravity Scorsese willingly put into "Wolf."

But the CinemaScore, accurate by its own standards, illustrates how audience members checking out "Wolf" on Christmas Day either didn’t know what they were getting, or simply didn’t like what they got.

SEE ALSO: 'The Wolf Of Wall Street' Was An Amazing Movie With An Important Moral Message

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Leonardo DiCaprio Says 'Wolf Of Wall Street' Characters Represent Everything Wrong With The World

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leonardo dicaprio wolf of wall streetMartin Scorsese has never shied away from telling stories about dark, damaged or even evil protagonists.

Movies like Taxi Driver, Goodfellas, and Casino all center on characters who the audience witness doing terrible, terrible things.

As a result, there are many who take moral issue with the films the director makes, and his most recent title, The Wolf of Wall Street, is no exception to that rule.

According to star Leonardo DiCaprio, however, anybody who sees the feature simply as a glorification of ridiculous excess has "missed the boat entirely."

With The Wolf of Wall Street out in theaters now and getting a mixed reaction from both professional critics and fans, HitFix had the chance to sit down with the star and took the opportunity to ask him about the controversy surrounding the film.

In it, DiCaprio plays real-life stockbroker Jordan Belfort, who lives a life filled with drugs, sex and other forms of debauchery paid for by cheating people out of their money. The story does feature comeuppance and consequences for its leads, but the lifestyle is treated with a great deal of humor and fun energy.

The actor admits that the audience is meant to enjoy the madness of Belfort's world from a non-judgmental point of view, but in reflection he doesn't see it as love-letter to horrible behavior. Said DiCaprio,

"It's exciting to be a part of a film, in a way, that is kind of bold and is taking a chance like that, and I think that anyone that thinks this is a celebration of Wall Street and this sort of hedonism — yes, the unique thing about Marty is that he doesn't judge his characters. And that was something that you don't quite understand while you're making the movie, but he allows the freedom of this almost hypnotic, drug-infused, wild ride that these characters go on. And he allows you, as an audience — guilty or not — to enjoy in that ride without judging who these people are. Because ultimately, he keeps saying this: 'Who am I to judge anybody?' I mean ultimately I think if anyone watches this movie, at the end of Wolf of Wall Street, they're going to see that we're not at all condoning this behavior. In fact we're saying that this is something that is in our very culture and it needs to be looked at and it needs to be talked about. Because, to me, this attitude of what these characters represent in this film are ultimately everything that's wrong with the world we live in."

As I noted in my own review of film, one thing that I appreciated about The Wolf of Wall Street is the way in which Belfort's fourth wall-breaking narration always keeps the audience at an arms length and maintain an objective view point on the characters' behavior.

As a big fan of the movie, I entirely agree with DiCaprio's view point, particularly the part about the movie being a wild ride. The films winds up stepping insanely far over the line so many times that it's practically impossible not to enjoy the over-the-topness of it all.

For those of you who have seen The Wolf of Wall Street, what do you think? Is the movie a glorification of a disturbingly excessive lifestyle, or do you agree with DiCaprio that at the end of the day we recognize Belfort as a villain?

Let us know your opinion in the comments section below.

SEE ALSO: Real 'Wolf Of Wall Street' Jordan Belfort Is Shopping A Reality Show

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‘Wolf Of Wall Street’ Breaks F-Word Record

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the wolf of wall street leonardo dicaprio martin scorsese

"The Wolf of Wall Street" is all about excess  including the number of times curse words are spewed through the characters' mouths.

The Golden Globe-nominated Martin Scorsese film used the F-word so many times, in fact, that it set a new record in an American feature film.

"The word 'f---' and its variants is used 506 times over 'The Wolf of Wall Street’s' 180-minute running time," according to a Variety report.

Previously, the record for a non-documentary was Spike Lee’s 1999 film “Summer of Sam” with 435 instances.

But Scorsese is no stranger to expletives — his movies "Casino" (422 times "f---" is said) and "Goodfellas" (300 times) both make the top 12.

The overall record, however, belongs to a 2005 comedy documentary called "F---" about the word.

SEE ALSO: 3 Reasons Why Audiences Hate 'The Wolf Of Wall Street'

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All The Controversy Over ‘The Wolf Of Wall Street’ Actually Helped Its Box-Office Sales

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The controversy over “The Wolf of Wall Street” appears to have helped it at the box office.

Director Martin Scorsese’s R-rated black comedy starring Leonardo DiCaprio finished a solid fourth this weekend with $13.5 million on 2,557 theaters. 

That’s only a 28 percent drop from the $18.3 million first weekend for “Wolf,” and encouraging news for distributor Paramount, since a 50 percent hold is considered good and the severe weather on the East Coast probably cost it another million dollars.

The R-rated film’s explicit portrayal of the sex-and-drugs-fueled 1980s stock market boom has divided moviegoers, and the “C” CiinemaScore that it received after its opening made its long-term playability a question mark.

Also read: War Over ‘Wolf of Wall Street’: Scorsese’s Latest Ignites Online Brouhaha

But the strong second week suggests the emotional discussions – centering on whether it glorifies the lifestyle of DiCaprio’s character based on real-life stockbroker Jordan Belfort – aren’t hurting and may actually help it.

“We embraced the controversy and dialogue, because ultimately it makes more people aware of the film and curious, and we think if we can get people out, the film will speak for itself,” Paramount’s distribution chief Don Harris told TheWrap. “This weekend number is significantly above what we were projecting.”

The film’s roughly three-hour running time is a hurdle, too, but Harris said that moviegoers that have carved out time to see the latest Scorsese-DiCaprio teaming have found two things surprising.

Also read: ‘Wolf of Wall Street’ Backlash: 10 Other Movies That Made Crime Seem Cool (Photos)

“They say, ‘I didn’t think it was that long, and I didn’t expect to laugh so much,” he said.

It’s up to $63 million domestically since opening on Christmas Day, and the $100 million film financed by Red Granite now looks to have a shot at hitting $100 million domestically.

If “Wolf,” Scorsese or DiCaprio can get some love at next Sunday’s Golden Globes and the Jan. 16 Oscar nominations it should get a further boost.

“This is up there with Scorsese’s best work, and that’s why this film is going to do just fine,” said Harris. “The Wolf of Wall Street” scored a strong 76% among film critics on aggregator site RottenTomatoes.com, with an even more impressive 79% from fans.

SEE ALSO: What Mark Cuban, A Dead Guy, And 'The Wolf Of Wall Street' Have In Common

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Young Leonardo DiCaprio Showed A Lot Of Acting Range

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Before three-time Oscar nominee Leonardo DiCaprio starred in hits like "The Wolf of Wall Street,""The Great Gatsby,""Inception," and "Titanic," he was just a struggling child actor trying to get his big break.

Now 39, DiCaprio was just 15-years-old when he booked his first gig on "The New Lassie," eventually leading to larger roles on "Parenthood" and "Growing Pains."

But before he became a TV teen heartthrob in the early 90s, Leo was just a little kid with a big future ahead of him.

Check out that range! (via @MakingOfs)

SEE ALSO: Leonardo DiCaprio Says 'Wolf Of Wall Street' Characters Represent Everything Wrong With The World

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NYC Entrepreneur Slams 'Wolf Of Wall Street' Scene In Which He Introduced Jordan Belfort To His Future Wife

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Remember the pool party scene in "The Wolf of Wall Street" in which the already-married Jordan Belfort, played by Leonardo DiCaprio, first lays eyes on his future second wife?

wolf of wall street margot robbie

The role of "Naomi," played by Margot Robbie, is based on Belfort's real-life second wife, Nadine, to whom he was married for seven years and had two children with after meeting at that Hamptons pool party in the late '80s.

The only hitch is that at the time, Belfort was already married to his college sweetheart and Nadine arrived at the pool party with her ex-boyfriend, who is also featured in the scene.

the wolf of wall streetIn real life, that ex-boyfriend is Alan Wilzig a semi-professional race car driver and former president of the Trust Company of New Jersey, owned by his father, Siggi Wilzig.

Alan Wilzig famously built a private racetrack in the front yard of his 275-acre property in Taghkanic, NY., and is also co-owner of the restaurant Kutsher’s Tribeca, as well as a philanthropist who has donated over $1 million to the University of Pennsylvania. His brother "Sir Ivan" has also been known to throw a wild party or two at his Hamptons castle.

But Wilzig, now 48, wasn’t happy with the "nerdy" portrayal of himself in Martin Scorsese's movie based on actual events, and he took to Facebook to explain how the moment really happened.

In the Dec.24 status update, Wilzig is most peeved that Scorsese left out the fact that he was driving a red Ferrari Testarossa at the time.

He also offers a $1,000 charity donation to the "first person to take a photo of that scene" because he and his new wife "have no babysitter so I can't for at least 2 days."

Read the amazing Facebook post below. It's not hard to imagine Wilzig at one of Belfort's parties:

Alan Wilzig

CHARITY CONTEST TIME ! So 20-odd years ago while "The Wolf" was still growing his fangs - I had my first post-college relationship. We lived to together over a year and it was nice and then went on and off which was anything but nice. Like high-school but more adult-vicious  So at the end of year 2, as friendly-exes I took Nadine to Jordan Belfort's July 4th Westhampton Beach House party where the two of them met. The final 6 mos of the ROARING 80's , literally & figuratively. He left his high school sweetheart wife to marry her ; and the rest you can see in the movie. They fictionalized my brief cameo in this story by making me super-dork  My friend who makes films saw a preview with Scorsese and told me they emphatically they do NOT show me bringing her to the party in my Red Ferrari Testarossa that I was driving then (she was out to dinner in HIS white TR the next night  And of all things - "Leo as Jordan" mocks the "me" guy by saying " What ? You've never taken this girl for a ride on a JET SKI ?" (I told you it was fictionalized). First person to TAKE A PHOTO OF THAT SCENE ( I've yet to see it, and we have no babysitter so I can't for at least 2 days) SHOWING "ME", LEO & THE GIRL- gets to pick a charity who will receive $1000 from me by Friday morning at 10am (if in the US). NOW GO GET (and post) THE SHOT; and make some (IRS registered) org extra happy ! (and for those that followed in real-time or Timeline - I TOLD you I had "different (read as : ABHORRENT !!) values" when I met Karin which is why it took me a few months to realize what I had......

After PageSix published Wilzig's Facebook status update Friday, he seemed to be enjoying his own 15 minutes:

Alan Wilzig

Here's Wilzig's current Facebook profile picture, featuring his wife, Karin. The couple have two young children.

Alan Wilzig

SEE ALSO: The 'Wolf Of Wall Street' Was Real And Then Some

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Golden Globes Predictions: Who Will Win And Who Should Win?

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gravity sandra bullock

Some of us spend a lot of time trying to figure out what the 6,000-plus voting members of the Academy of Motion Picare thinking, but we’re less certain when it comes to the 80-odd members of the Hollywood Foreign Press Association.

But on Sunday night, the votes cast by the HFPA, an organization of Los Angeles based journalists (and part-time journalists) for foreign outlets, will take center stage at the Golden Globes.

So here’s a stab at predicting how they might have cast their ballots, with the caveat that upsets are all but inevitable with such a small a body of voters. For good measure, we’ve thrown in thoughts on how they should have cast their ballots.

On the TV side, the HFPA can be ahead of the curve, which adds an extra element of surprise to an awards show famous for unexpected moments.

Also readGolden Globes: 5 Reasons It’s Better Than the Oscars

BEST MOTION PICTURE – DRAMA
Nominees: “12 Years a Slave,”
“Captain Phillips,”
 “Gravity,”
 “Philomena,”
 “Rush”

Will win“Gravity.” “12 Years a Slave” is the clear critics’ favorite so far, but I hear that HFPA voters like “Philomena” and “Rush” better than they like that movie. But I heard they liked “The King’s Speech” better than they liked “The Social Network” three years ago, and that didn’t stop them from giving the award to the consensus critical favorite.

They could do the same thing this year with “12 Years,” but I think it’s more likely that they go for the other Oscar frontrunner, “Gravity.” “Captain Phillips” could possibly stage an upset.

Should win“12 Years a Slave,” though it’s undeniably a tough sit.

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE  – DRAMA 
Nominees: Cate Blanchett, “Blue Jasmine”; Sandra Bullock, “Gravity”; JudI Dench, “Philomena”; Emma Thompson, “Saving Mr. Banks”;
Kate Winslet, “Labor Day”

Will winCate Blanchett, “Blue Jasmine.” Globes voters might love Dench and Thompson, but nobody is beating Blanchett in this category.

Should winCate Blanchett. She’s undeniable.

Also readHow Cate Blanchett Got Ready to Play a Boozer in Woody Allen’s ‘Blue Jasmine’

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — DRAMA
Nominees: Chiwetel Ejiofor, “12 Years a Slave”; 
Idris Elba, “Mandela: Long Walk to Freedom”;
 Tom Hanks, “Captain Phillips”;
 Matthew McConaughey, “Dallas Buyers Club”;
 Robert Redford, “All Is Lost”

Will winMatthew McConaughey, “Dallas Buyers Club.” Ejiofor is a likely Oscar frontrunner, Redford would provide a big emotional moment and Hanks is the king of Hollywood. But after losing 40 pounds and enjoying a terrific year that also includes “Mud” and “The Wolf of Wall Street,” McConaughey will charm the pants off the room, and voters will give him that chance.

Should winRobert Redford, “All Is Lost.” In a very tough category, Redford’s degree of difficulty (he doesn’t talk) might be even higher than McConaughey’s.

BEST MOTION PICTURE – MUSICAL OR COMEDY
Nominees: “American Hustle,”
“Her,”
“Inside Llewyn Davis,”
“Nebraska,” “The Wolf of Wall Street”

Will win“American Hustle.” It’s questionable whether many of the nominated films belong in the category – and if “Saving Mr. Banks” hadn’t insisted on being submitted as a drama, it might have had a good shot here.

But David O. Russell’s “American Hustle” has lots of big stars, a hot director and critical approval – it’s close to a lock.

Should win“Inside Llewyn Davis.” With my three favorite movies of 2013 in this category, I’d go for “Llewyn Davis” in a squeaker over “Her” and “Nebraska.”

Also readGolden Globes: Best Monologue Jokes That Tina Fey, Amy Poehler Hope to Top

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — MUSICAL OR COMEDY
Nominees: Amy Adams, “American Hustle”; 
Julie Delpy, “Before Midnight”; Greta Gerwig, “Frances Ha”;
 Julia Louis-Dreyfus, “Enough Said”; Meryl Streep, “August: Osage County”

Will winAmy Adams, “American Hustle.” If they liked her movie better, Streep would have a chance. But they liked Adams’ movie better.

Should winGreta Gerwig, “Frances Ha.” I’d go with one of the two women who also co-wrote their films. Gerwig wins by a hair over Julie Delpy.

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY
Nominees:
 Christian Bale, “American Hustle”; Bruce Dern, “Nebraska”; Leonardo DiCaprio, “The Wolf of Wall Street”; Oscar Isaac, “Inside Llewyn Davis”; Joaquin Phoenix, “Her”

Will winLeonardo DiCaprio, “The Wolf of Wall Street.” Bale, Dern and DiCaprio are all legitimate possibilities. I’m guessing star power and acting fireworks win out, and the Globe goes to DiCaprio.

Should winOscar Isaac, “Inside Llewyn Davis.” I’d find it incredibly hard to choose between Dern and Isaac, but I’ll give it to the latter because he also had to learn a new (old) style of guitar playing and master an entire repertoire.

Also readHow Oscar Isaac’s Career Fallback Landed Him ‘Inside Llewyn Davis’

BEST ANIMATED FEATURE FILM
Nominees: “The Croods,” “Despicable Me 2,″ “Frozen”

Will win“Frozen.” The HFPA decided before nominating that this year’s crop of animated films only warranted three nominees – and while DreamWorks Animation has put on a full-court press on behalf of “The Croods” and Universal has done the same for “Despicable Me 2,” I suspect voters will go for the film that’s 15 to 20 percentage points higher than the others on Rotten Tomatoes.

Should win“Frozen,” I guess. The three animated films I would have preferred – “Ernest & Celestine,” “The Wind Rises” and “Is the Man Who Is Tall Happy?: An Animated Conversation With Noam Chomsky” – weren’t eligible.

BEST FOREIGN LANGUAGE FILM
Nominees: 
“Blue Is The Warmest Color” (France); “The Great Beauty” (Italy); “The Hunt” (Denmark); “The Past” (Iran); “The Wind Rises” (Japan)

Will win“Blue Is the Warmest Color.” It might be too much for some voters, but also has that Palme d’Or to give it cachet. Plus, it’s a way to stick it to the Academy by giving the award to a film that isn’t eligible for the foreign-language Oscar.

Its chief rival just might be “The Wind Rises,” an animated feature that could be the beneficiary of the feeling among some voters that it ought to have been eligible in that category.

Should win“Blue Is the Warmest Color.” By a wide margin.

Also readSex, Lies and Invective: Inside the Whole ‘Blue Is the Warmest Color’ Mess

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE 
Nominees: Sally Hawkins, “Blue Jasmine”; Jennifer Lawrence, “American Hustle”;
 Lupita Nyong’o, “12 Years a Slave”; Julia Roberts, “August: Osage County”; June Squibb, “Nebraska”

Will winLupita Nyong’o, “12 Years a Slave.” Jennifer Lawrence could easily win her second Globe in two years, but they’ll want to give something to “12 Years a Slave.” Nyong’o could be that film’s winner.

Should winLupita Nyong’o. While I love Squibb and Hawkins and think Lawrence makes the most out of every one of her scenes, Nyong’o’s is the performance that lingers.

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
Nominees: 

Barkhad Abdi, “Captain Phillips”; Daniel Bruhl, “Rush”; Bradley Cooper, “American Hustle”; Michael Fassbender, “12 Years a Slave”; Jared Leto, “Dallas Buyers Club”

Will winJared Leto, “Dallas Buyers Club.” Leto has won almost everything else, and there’s little reason to think he won’t win this too.

Should winJared Leto. (And I’d pick him even if James Franco were on the ballot for “Spring Breakers.”)

Also readWhy Jared Leto Dropped His Guitar and Put on a Skirt for ‘Dallas Buyers Club’

BEST DIRECTOR — MOTION PICTURE
Nominees: 
Alfonso Cuaron, “Gravity”;
 Paul Greengrass, “Captain Phillips”; Steve McQueen, “12 Years a Slave”; Alexander Payne, “Nebraska”;
 David O. Russell, “American Hustle”

Will winAlfonso Cuaron, “Gravity.” Russell has a chance and McQueen could win if voters want to make history, but “Gravity” is such a technical accomplishment that voters will recognize it. (Remember, the Globes don’t have cinematography, editing, sound and visual effects categories that “Gravity” would otherwise dominate.)

Should winAlexander Payne, “Nebraska.” Cuaron did wonders, but I’d give this one to Payne for the deft balancing act he pulls off in turning the slow-paced “Nebraska” into a sparkling blend of tragedy, comedy and heart.

BEST SCREENPLAY – MOTION PICTURE
Nominees: 
Spike Jonze, “Her”; Bob Nelson, “Nebraska”; Jeff Pope and Steve Coogan, “Philomena”; John Ridley, “12 Years a Slave”; 
Eric Warren Singer and David O. Russell, “American Hustle”

Will winEric Warren Singer and David O. Russell, “American Hustle.” Words, words, words. People who vote for screenplays tend to like lots of words. “American Hustle” is full of ‘em.

Also readLouis CK Reveals Ending of ‘American Hustle’ Ice Fishing Story on ‘Tonight Show’ (Video)

Should winSpike Jonze, “Her.” The movie shouldn’t work, but it does, beautifully. Jonze deserves credit somewhere.

BEST ORIGINAL SCORE – MOTION PICTURE
Nominees: Alex Ebert, “All Is Lost”;
 Alex Heffes, “Mandela: Long Walk to Freedom”; Steven Price, “Gravity”; John Williams, “The Book Thief”;
 Hans Zimmer, “12 Years a Slave”

Will winSteven Price, “Gravity.” Unless voters are in the mood to give 25-time nominee John Williams his fifth win (which they could be), this race might be between the big, assertive score to “Gravity” and the quiet, subtle one to “12 Years a Slave.” Give the nod to the bolder entry.

Should win“Gravity.” On CD, there’s something annoying about the way “Gravity” constantly relies on big crescendos abruptly cutting to silence. But onscreen, in a movie that pays some attention to the fact that there’s no sound in space, Price uses percussion and vibration in a way that’s absolutely essential to making the movie an immersive experience.

BEST ORIGINAL SONG – MOTION PICTURE
Nominees: “Atlas” from “The Hunger Games: Catching Fire,” written by Coldplay; “Let It Go” from “Frozen,” written by Robert Lopez and Kristen Anderson Lopez; “Ordinary Love” from “Mandela: Long Walk to Freedom,” written by U2;
 “Please Mr. Kennedy” from “Inside Llewyn Davis,” written by Ed Rush, George Cromarty, T Bone Burnett, Justin Timberlake, Joel Coen and Ethan Coen; “Sweeter Than Fiction” from “One Chance,” written by Taylor Swift and Jack Antonoff.

Also readWhy U2′s Bono Considered Nelson Mandela His ‘Bandleader’

Will win“Ordinary Love” from “Mandela: Long Walk to Freedom.” The list of recent winners is full of rock stars: Adele, Madonna, Bruce Springsteen, Eddie Vedder, Prince, Mick Jagger … U2 will fit right in.

Should win“Please Mr. Kennedy” from “Inside Llewyn Davis.” It may be an extensively rewritten version of a song from the ‘60s that borrowed heavily from a song from the ‘50s, but “Please Mr. Kennedy” is integral to the film in a way that only “Let It Go” is among the other nominees. And it’s much funnier than “Let It Go.”

See video: 10 Golden Globes Deliciously Awkward Moments

BEST TV SERIES — DRAMA 
Nominees: “Breaking Bad,” “Downton Abbey,” “The Good Wife,” “House of Cards,” “Masters of Sex”

“Breaking Bad” has dominated the television talk this year. We can’t imagine the Hollywood Foreign Press will stray from the trend. Plus, it deserves it.

Should win: “Breaking Bad”

Will win: “Breaking Bad”

BEST ACTRESS IN A TV SERIES — DRAMA
Nominees:
 Julianna Margulies, “The Good Wife”; Tatiana Maslany, “Orphan Black”; Taylor Schilling, “Orange Is the New Black”; Kerry Washington, “Scandal”;
Robin Wright, “House of Cards”

“Orphan Black” star Tatiana Maslany is a strong candidate for the win as the Globes likes to go with first season breakthrough stars. But, we’re going to go with an ongoing favorite and a slightly new star for our picks.

Should win: Juliana Margulies, “The Good Wife”

Will win: Kerry Washington, “Scandal”

Also read: Tom Hanks, Seth Meyers, Melissa McCarthy Join Golden Globes Presenter Lineup

BEST ACTOR IN A TV SERIES — DRAMA

Nominees: Bryan Cranston, “Breaking Bad”; Liev Schreiber, “Ray Donovan”; Michael Sheen, “Masters of Sex”; Kevin Spacey, “House of Cards”; James Spader, “The Blacklist”

See above regarding “Breaking Bad.” They own this past year. But, we have nothing but respect for every guy in this category, specifically “House of Cards” star Kevin Spacey.

Should win: Bryan Cranston, “Breaking Bad

Will win: Bryan Cranston, “Breaking Bad”

BEST TV SERIES — MUSICAL OR COMEDY
Nominees: 
“The Big Bang Theory,” “Brooklyn Nine-Nine,” “Girls,” “Modern Family,” “Parks and Recreation”

Points for freshman Fox comedy, “Brooklyn Nine-Nine,” but again we’re going to with series that have proven some staying power.

Should win: “Parks and Recreation”

Will win: “Girls”

BEST ACTRESS IN A TV SERIES — MUSICAL OR COMEDY 
Nominees: Zooey Deschanel, “New Girl”; Edie Falco, “Nurse Jackie”; Lena Dunham, “Girls”; Julia Louis-Dreyfus, “Veep”; Amy Poehler, “Parks and Recreation”

Tough race. We don’t believe Lena Dunham or Zooey Deschanel have delivered performances thus far that challenge Edie Falco, Julia Louis-Dreyfus or Amy Poehler for the actual win.

Should win: Julia Louis-Dreyfus, “Veep”

Will win: Julia Louis-Dreyfus, “Veep”

Also read: Matt Lauer to Host NBC’s Primetime Golden Globes Special

BEST ACTOR IN A TV SERIES — MUSICAL OR COMEDY 
Nominees: Jason Bateman, “Arrested Development”; Don Cheadle, “House of Lies”; Michael J. Fox, “The Michael J. Fox Show”; Jim Parsons, “The Big Bang Theory”; Andy Samberg, “Brooklyn Nine-Nine”

Don Cheadle won last year, but “House of Lies” has lost a lot of buzz since then. Once. “Brooklyn Nine-Nine’s” Andy Samberg is an attractive pick here, but we’re thinking there’s something about having a veteran return to TV.

Should win: Andy Samberg, “Brooklyn Nine-Nine”

Will win: Michael J. Fox, “The Michael J. Fox Show”

BEST TV MOVIE OR MINISERIES 
Nominees: “American Horror Story: Coven”; “Behind the Candelabra”; “Dancing on the Edge”; “Top of the Lake”; “White Queen”

We thoroughly enjoyed Sundance’s “Top of the Lake” and Starz’s “White Queen,” but we think FX’s “American Horror Story: Coven” is the best installment of the show yet. But, “Behind the Candelabra” will probably take the prize for its movie star leads and over-the-top staging.

Should win: “American Horror Story: Coven”

Will win: “Behind the Candelabra”

BEST ACTRESS — TV MOVIE OR MINISERIES 
Nominees: Helena Bonham Carter, “Burton and Taylor”; Rebecca Ferguson, “White Queen”; Jessica Lange, “American Horror Story: Coven”; Helen Mirren, “Phil Spector”; Elisabeth Moss, “Top of the Lake”

Jessica Lange is a wonder to behold on “American Horror Story: Coven,” but she won’t get the prize. We think this contingent will throw its vote to an international entry.

Should win: Jessica Lange, “American Horror Story: Coven”

Will win: Helena Bonham Carter, “Burton and Taylor

Also read: Golden Globes: 5 Reasons It’s Better Than the Oscars

BEST ACTOR — TV MOVIE OR MINISERIES 
Nominees: Matt Damon, “Behind the Candelbra”; Michael Douglas, “Behind the Candelabra”; Chiwetel Ejiofor, “Dancing on the Edge”; Idris Elba, “Luther”; Al Pacino, “Phil Spector”

Two noms for the “Behind the Candelabra” stars: Will they split the vote? We’re crazy for Idris Elba on “Luther,” but we think that Michael Douglas will get the nod.

Should win: Idris Elba, “Luther”

Will win: Michael Douglas, “Behind the Candelabra”

SEE ALSO: The Best And Worst Dressed At The People's Choice Awards

Join the conversation about this story »

NBC Misses Censor On Tina Fey's Leonardo DiCaprio Joke

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